The
Alchemy of Ink
To write: put pen on paper and make a series of scratches that turn into meaning.
Or to not-write: to stare at blank canvas with pen ready in hand unable to move.
Create something where nothing was, the self in paper; Be created as pen makes what you know not, the sacred in ink.
Pound together sound and stress and sense as words transform to poetry or prose but then let go of the pestle of form and rhyme and rhythm and reason – words dance on their own.
Sometimes the writing is of emptiness: night-emptiness, or the emptiness of dawn, the blank slate, the base metal waiting to be transformed through the fire of thought – black ink and white paper become gold. Or meaning. Or both.
And sometimes it is of the fullness of love or death twin immutabilities for pen that even ink cannot change.
Writing is: up-after-midnight-slaving-away but also five-minutes-of-perfect-concentration and sometimes nothing-can-be-written-to-say. Always ink and paper and me – a strange trinity.
To write is to struggle alone with the page to transmute the nothingness of blank page and black marks – an alchemy of meaning.
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